Somewhere Beautiful

In a metatextual homage to Atom Egoyan's seminal Calendar (1993), Kodagolian films the first portion in South America, where the story revolves around a love triangle and a photographer's doomed relationship. Back in Los Angeles, Kodagolian finds himself filming what will soon become a tragic, alternate universe of his own fiction: looking after his two-year old daughter in the slow motion collapse of his own marriage.

Interlacing his present life and his past views on love and partnership with the fictional tale set in Argentina, Kodagolian has created an effortlessly hypnotic ode to Patagonia as the timeless backdrop to an examination of the vulnerability of relationships and the reality-bending impact of the creative process.